Translations of Original 862770 in Block Patterns
- Status of original: +active
- Translations: 15x current 1x waiting 106x untranslated
No Context- Comment: Example site content, non-literal translation is ok
- Priority: normal
- Added: 2023-01-26 02:19:08
Prio | Locale | Original string | Translation | — | |
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af | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Afrikaans (af)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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am | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Amharic (am)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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an | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Aragonese (an)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ar | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | حظي هيكل <em><strong>Hopscotch</strong></em>المفتوح، الذي يدعو القارئ إلى الاختيار من بين وضع القراءة الخطي وغير الخطي، بالإشادة من جانب كتّاب أمريكا اللاتينية الآخرين، بما في ذلك خوسيه ليزاما ليما وجيانينا براشي وكارلوس فوينتس وجابرييل جارثيا ماركيز وماريو فارغاس يوسا. | Details | ||
Arabic (ar)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. حظي هيكل <em><strong>Hopscotch</strong></em>المفتوح، الذي يدعو القارئ إلى الاختيار من بين وضع القراءة الخطي وغير الخطي، بالإشادة من جانب كتّاب أمريكا اللاتينية الآخرين، بما في ذلك خوسيه ليزاما ليما وجيانينا براشي وكارلوس فوينتس وجابرييل جارثيا ماركيز وماريو فارغاس يوسا. You have to log in to edit this translation.
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as | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Assamese (as)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ast | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Asturian (ast)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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az | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Azerbaijani (az)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bal | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Catalan (Balear) (bal)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bel | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Belarusian (bel)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bg | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Bulgarian (bg)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bn | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Bengali (bn)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bo | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Tibetan (bo)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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br | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Breton (br)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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bs | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Bosnian (bs)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ca | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Catalan (ca)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ckb | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kurdish (Sorani) (ckb)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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cs | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Czech (cs)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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cv | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Chuvash (cv)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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cy | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Welsh (cy)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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da | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Danish (da)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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de | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | Die offene Struktur von <em><strong>Rayuela</strong></em>, die den Leser einlädt, zwischen einer linearen und einer nicht-linearen Leseweise zu wählen, wurde von anderen lateinamerikanischen Schriftstellern, darunter José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez und Mario Vargas Llosa, hoch gelobt. | Details | ||
German (de)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. Die offene Struktur von <em><strong>Rayuela</strong></em>, die den Leser einlädt, zwischen einer linearen und einer nicht-linearen Leseweise zu wählen, wurde von anderen lateinamerikanischen Schriftstellern, darunter José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez und Mario Vargas Llosa, hoch gelobt. You have to log in to edit this translation.
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de (formal) | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
German (Formal) (de)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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de-ch | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
German (Switzerland) (de-ch)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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dv | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Dhivehi (dv)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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el | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Greek (el)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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el-po | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Polytonic Greek (el-po)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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en-gb | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
English (UK) (en-gb)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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eo | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Esperanto (eo)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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es | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | La estructura abierta de su obra <em><strong>Rayuela</strong></em>, que invita al lector a elegir entre un modo de lectura lineal o no lineal, ha recibido muchos elogios por parte de otros escritores latinoamericanos, como José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez y Mario Vargas Llosa. | Details | ||
Spanish (es)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. La estructura abierta de su obra <em><strong>Rayuela</strong></em>, que invita al lector a elegir entre un modo de lectura lineal o no lineal, ha recibido muchos elogios por parte de otros escritores latinoamericanos, como José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez y Mario Vargas Llosa. You have to log in to edit this translation.
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es-cl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Spanish (Chile) (es-cl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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es-mx | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Spanish (Mexico) (es-mx)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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es-pr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Spanish (Puerto Rico) (es-pr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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et | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Estonian (et)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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eu | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Basque (eu)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fa | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Persian (fa)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fi | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Finnish (fi)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fo | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Faroese (fo)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | La structure ouverte de <em><strong>Marelle</strong></em>, qui invite le lecteur à choisir entre un mode de lecture linéaire et non linéaire, a été saluée par d’autres écrivains latino-américains, dont José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez et Mario Vargas Llosa. | Details | ||
French (fr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. La structure ouverte de <em><strong>Marelle</strong></em>, qui invite le lecteur à choisir entre un mode de lecture linéaire et non linéaire, a été saluée par d’autres écrivains latino-américains, dont José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez et Mario Vargas Llosa. You have to log in to edit this translation.
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fr-be | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
French (Belgium) (fr-be)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fr-ca | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
French (Canada) (fr-ca)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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fr-ch | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
French (Switzerland) (fr-ch)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ga | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Irish (ga)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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gd | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Scottish Gaelic (gd)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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gl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Galician (gl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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gu | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Gujarati (gu)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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he | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | הסיפור <em><strong>קלאס</strong></em> מתאפיין במבנה עם סוף פתוח ומזמין את הקוראים לבחור בין קריאה ליניארית וקריאה לא ליניארית. סופרים אחרים באמריקה הלטינית שיבחו רבות את הספר, כולל חוזה לת'אמה לימה, גיאנינה בראסקי, קרלוס פואנטס, גבריאל גארסיה מארקס ומריו ורגס יוסה. | Details | ||
Hebrew (he)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. הסיפור <em><strong>קלאס</strong></em> מתאפיין במבנה עם סוף פתוח ומזמין את הקוראים לבחור בין קריאה ליניארית וקריאה לא ליניארית. סופרים אחרים באמריקה הלטינית שיבחו רבות את הספר, כולל חוזה לת'אמה לימה, גיאנינה בראסקי, קרלוס פואנטס, גבריאל גארסיה מארקס ומריו ורגס יוסה. You have to log in to edit this translation.
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hi | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Hindi (hi)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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hr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Croatian (hr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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hu | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Hungarian (hu)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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hy | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Armenian (hy)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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id | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | Struktur terbuka <em><strong>Hopscotch</strong></em>, yang mengundang pembaca untuk memilih mode membaca linier atau nonlinear, telah dipuji penulis berkebangsaan Amerika Latin lainnya, termasuk José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, dan Mario Vargas Llosa. | Details | ||
Indonesian (id)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. Struktur terbuka <em><strong>Hopscotch</strong></em>, yang mengundang pembaca untuk memilih mode membaca linier atau nonlinear, telah dipuji penulis berkebangsaan Amerika Latin lainnya, termasuk José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, dan Mario Vargas Llosa. You have to log in to edit this translation.
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is | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Icelandic (is)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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it | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | La struttura aperta di <em><strong>Il gioco del mondo</strong></em>, che invita il lettore a scegliere tra una modalità di lettura lineare e una non lineare, è stata elogiata da altri scrittori latinoamericani, tra cui José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, e Mario Vargas Llosa | Details | ||
Italian (it)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. La struttura aperta di <em><strong>Il gioco del mondo</strong></em>, che invita il lettore a scegliere tra una modalità di lettura lineare e una non lineare, è stata elogiata da altri scrittori latinoamericani, tra cui José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, e Mario Vargas Llosa You have to log in to edit this translation.
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ja | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | 『<strong>けんけん遊び</strong>』のオープンエンドな構成は、読者に直線的な読み方と非直線的な読み方を選択させるもので、José Lezama Lima、Giannina Braschi、Carlos Fuentes、Gabriel García Márquez、Mario Vargas Llosa など他のラテンアメリカ作家も賞賛しています。<em></em> | Details | ||
Japanese (ja)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa.
Warning: Expected <em>, got <strong>.
『<strong>けんけん遊び</strong>』のオープンエンドな構成は、読者に直線的な読み方と非直線的な読み方を選択させるもので、José Lezama Lima、Giannina Braschi、Carlos Fuentes、Gabriel García Márquez、Mario Vargas Llosa など他のラテンアメリカ作家も賞賛しています。<em></em> You have to log in to edit this translation.
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jv | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Javanese (jv)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ka | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Georgian (ka)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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kab | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kabyle (kab)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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kir | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kirghiz (kir)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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kk | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kazakh (kk)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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km | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Khmer (km)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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kmr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kurdish (Kurmanji) (kmr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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kn | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Kannada (kn)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ko | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | 선형 읽기 모드와 비선형 읽기 모드 중에서 선택하도록 독자를 초대하는 <em><strong>Hopscotch</strong></em>(사방치기)의 개방형 구조는 José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez 및 Mario Vargas Llosa를 포함한 다른 남미 작가의 찬사를 받았습니다. | Details | ||
Korean (ko)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. 선형 읽기 모드와 비선형 읽기 모드 중에서 선택하도록 독자를 초대하는 <em><strong>Hopscotch</strong></em>(사방치기)의 개방형 구조는 José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez 및 Mario Vargas Llosa를 포함한 다른 남미 작가의 찬사를 받았습니다. You have to log in to edit this translation.
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lo | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Lao (lo)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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lt | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Lithuanian (lt)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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lv | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Latvian (lv)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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me | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Montenegrin (me)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mhr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Mari (Meadow) (mhr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mk | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Macedonian (mk)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ml | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Malayalam (ml)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mn | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Mongolian (mn)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Marathi (mr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mrj | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Mari (Hill) (mrj)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ms | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Malay (ms)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mwl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Mirandese (mwl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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mya | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Burmese (mya)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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nb | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Norwegian (Bokmål) (nb)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ne | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Nepali (ne)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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nl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | De open structuur van <em><strong>Hopscotch</strong></em>, die de lezer uitnodigt te kiezen tussen een lineaire en een niet-lineaire leeswijze, is geprezen door andere Latijns-Amerikaanse schrijvers, waaronder José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez en Mario Vargas Llosa. | Details | ||
Dutch (nl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. De open structuur van <em><strong>Hopscotch</strong></em>, die de lezer uitnodigt te kiezen tussen een lineaire en een niet-lineaire leeswijze, is geprezen door andere Latijns-Amerikaanse schrijvers, waaronder José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez en Mario Vargas Llosa. You have to log in to edit this translation.
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nn | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Norwegian Nynorsk (nn)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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oci | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Occitan (oci)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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orm | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Oromo (orm)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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pa | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Punjabi (pa)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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pl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Polish (pl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ps | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Pashto (ps)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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pt | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Portuguese (pt)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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pt-br | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | A estrutura com final aberto de <em><strong>O Jogo da Amarelinha</strong></em>, que convida o leitor a escolher entre um modo de leitura linear e não linear, foi elogiada por outros escritores latino-americanos, incluindo José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez e Mário Vargas Llosa. | Details | ||
Brazilian Portuguese (pt-br)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. A estrutura com final aberto de <em><strong>O Jogo da Amarelinha</strong></em>, que convida o leitor a escolher entre um modo de leitura linear e não linear, foi elogiada por outros escritores latino-americanos, incluindo José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez e Mário Vargas Llosa. You have to log in to edit this translation.
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ro | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Romanian (ro)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ru | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | Открытая структура <em><strong>Преследователя</strong></em>, которая предлагает читателю выбирать между линейным и нелинейным способом чтения, была высоко оценена другими латиноамериканскими писателями, включая Хосе Леcаму Лиму, Джаннину Браски, Карлоса Фуэнтеса, Габриэля Гарсию Маркеса и Марио Варгаса Льосу. | Details | ||
Russian (ru)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. Открытая структура <em><strong>Преследователя</strong></em>, которая предлагает читателю выбирать между линейным и нелинейным способом чтения, была высоко оценена другими латиноамериканскими писателями, включая Хосе Леcаму Лиму, Джаннину Браски, Карлоса Фуэнтеса, Габриэля Гарсию Маркеса и Марио Варгаса Льосу. You have to log in to edit this translation.
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rue | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Rusyn (rue)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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rup | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Aromanian (rup)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sah | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Sakha (sah)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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si | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Sinhala (si)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sk | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Slovak (sk)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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skr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Saraiki (skr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Slovenian (sl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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snd | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Sindhi (snd)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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so | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Somali (so)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sq | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Albanian (sq)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Serbian (sr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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su | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Sundanese (su)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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sv | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | Den öppna strukturen i <em><strong>Hopscotch</strong></em>, som bjuder in läsaren att välja mellan ett linjärt och ett icke-linjärt sätt att läsa, har hyllats av andra latinamerikanska författare, inklusive José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez och Mario Vargas Llosa. | Details | ||
Swedish (sv)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. Den öppna strukturen i <em><strong>Hopscotch</strong></em>, som bjuder in läsaren att välja mellan ett linjärt och ett icke-linjärt sätt att läsa, har hyllats av andra latinamerikanska författare, inklusive José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez och Mario Vargas Llosa. You have to log in to edit this translation.
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sw | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Swahili (sw)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ta | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Tamil (ta)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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te | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Telugu (te)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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th | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Thai (th)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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tir | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Tigrinya (tir)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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tl | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Tagalog (tl)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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tlh | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Klingon (tlh)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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tr | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | Okuyucuyu doğrusal ve doğrusal olmayan bir okuma modu arasında seçim yapmaya davet eden <em><strong>Seksek</strong></em>'in açık uçlu yapısı, José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez ve Mario Vargas Llosa gibi diğer Latin Amerikalı yazarlar tarafından övülmüştür. | Details | ||
Turkish (tr)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. Okuyucuyu doğrusal ve doğrusal olmayan bir okuma modu arasında seçim yapmaya davet eden <em><strong>Seksek</strong></em>'in açık uçlu yapısı, José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez ve Mario Vargas Llosa gibi diğer Latin Amerikalı yazarlar tarafından övülmüştür. You have to log in to edit this translation.
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ug | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Uighur (ug)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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uk | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Ukrainian (uk)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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ur | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Urdu (ur)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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uz | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Uzbek (uz)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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vi | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Vietnamese (vi)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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yi | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Yiddish (yi)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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yor | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Yorùbá (yor)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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zh | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Chinese (zh)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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zh-cn | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | <em><strong>《跳房子》</strong></em>的开放式结构让读者可以在线性和非线性阅读模式之间进行选择,这受到了其他拉丁美洲作家的赞誉,包括 José Lezama Lima、Giannina Braschi、Carlos Fuentes、Gabriel García Márquez 和 Mario Vargas Llosa。 | Details | ||
Chinese (China) (zh-cn)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. <em><strong>《跳房子》</strong></em>的开放式结构让读者可以在线性和非线性阅读模式之间进行选择,这受到了其他拉丁美洲作家的赞誉,包括 José Lezama Lima、Giannina Braschi、Carlos Fuentes、Gabriel García Márquez 和 Mario Vargas Llosa。 You have to log in to edit this translation.
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zh-hk | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Chinese (Hong Kong) (zh-hk)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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zh-sg | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | You have to log in to add a translation. | Details | ||
Chinese (Singapore) (zh-sg)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. You have to log in to edit this translation.
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zh-tw | The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. | 《<em><strong>跳房子</strong></em>》透過開放式結構,邀請讀者自行選擇線性或非線性的閱讀模式。此作品結構受到其他拉丁美洲文學作家的推崇,包括荷西‧雷薩馬‧利馬、詹妮娜·布拉斯基、卡洛斯·富恩特斯、加布列·賈西亞·馬奎斯,以及馬利歐·巴爾加斯·尤薩,都對其讚譽有加。 | Details | ||
Chinese (Taiwan) (zh-tw)
The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. The open-ended structure of <em><strong>Hopscotch</strong></em>, which invites the reader to choose between a linear and a non-linear mode of reading, has been praised by other Latin American writers, including José Lezama Lima, Giannina Braschi, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa. 《<em><strong>跳房子</strong></em>》透過開放式結構,邀請讀者自行選擇線性或非線性的閱讀模式。此作品結構受到其他拉丁美洲文學作家的推崇,包括荷西‧雷薩馬‧利馬、詹妮娜·布拉斯基、卡洛斯·富恩特斯、加布列·賈西亞·馬奎斯,以及馬利歐·巴爾加斯·尤薩,都對其讚譽有加。 You have to log in to edit this translation.
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