Translations of Original 862771 in Block Patterns
- Status of original: +active
- Translations: 16x current 106x untranslated
No Context- Comment: Example site content, non-literal translation is ok
- Priority: normal
- Added: 2023-01-26 02:19:09
| Prio | Locale | Original string | Translation | — | |
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| af | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Afrikaans (af)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| am | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Amharic (am)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| an | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Aragonese (an)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ar | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | إن استخدام كورتاثر المونولوج الداخلي والأفكار المختلطة يعود بدرجة كبيرة إلى جيمس جويس وغيره من المتحررين، لكن تمثلت تأثيراته الرئيسية في الأسلوب السريالي والجمالية الارتجالية لموسيقى الجاز. | Details | ||
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Arabic (ar)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. إن استخدام كورتاثر المونولوج الداخلي والأفكار المختلطة يعود بدرجة كبيرة إلى جيمس جويس وغيره من المتحررين، لكن تمثلت تأثيراته الرئيسية في الأسلوب السريالي والجمالية الارتجالية لموسيقى الجاز. You have to log in to edit this translation.
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| as | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Assamese (as)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ast | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Asturian (ast)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| az | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Azerbaijani (az)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bal | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Catalan (Balear) (bal)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bel | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Belarusian (bel)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bg | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Bulgarian (bg)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bn | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Bengali (bn)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bo | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Tibetan (bo)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| br | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Breton (br)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| bs | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Bosnian (bs)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ca | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Catalan (ca)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ckb | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kurdish (Sorani) (ckb)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| cs | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Czech (cs)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| cv | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Chuvash (cv)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| cy | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Welsh (cy)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| da | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Danish (da)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| de | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázars Gebrauch des inneren Monologs und des „Stream of consciousness“ lehnt sich stark an James Joyce und andere Modernisten an, aber seine stärksten Einflüsse waren der Surrealismus und die improvisatorische Ästhetik des Jazz. | Details | ||
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German (de)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázars Gebrauch des inneren Monologs und des „Stream of consciousness“ lehnt sich stark an James Joyce und andere Modernisten an, aber seine stärksten Einflüsse waren der Surrealismus und die improvisatorische Ästhetik des Jazz. You have to log in to edit this translation.
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| de (formal) | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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German (Formal) (de)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| de-ch | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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German (Switzerland) (de-ch)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| dv | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Dhivehi (dv)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| el | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Greek (el)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| el-po | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Polytonic Greek (el-po)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| en-gb | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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English (UK) (en-gb)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| eo | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Esperanto (eo)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| es | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázar utilizó el monólogo interior y el flujo de conciencia, como también habían trabajado James Joyce y otros escritores modernistas, pero sus principales influencias fueron el surrealismo y la estética de la improvisación del jazz. | Details | ||
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Spanish (es)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar utilizó el monólogo interior y el flujo de conciencia, como también habían trabajado James Joyce y otros escritores modernistas, pero sus principales influencias fueron el surrealismo y la estética de la improvisación del jazz. You have to log in to edit this translation.
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| es-cl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Spanish (Chile) (es-cl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| es-mx | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Spanish (Mexico) (es-mx)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| es-pr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Spanish (Puerto Rico) (es-pr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| et | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Estonian (et)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| eu | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Basque (eu)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fa | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Persian (fa)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fi | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Finnish (fi)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fo | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Faroese (fo)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | L’utilisation par Cortázar du monologue intérieur et du courant de conscience doit beaucoup à James Joyce et à d’autres modernistes. Cependant, ses principales influences étaient le surréalisme et l’esthétique improvisée du jazz. | Details | ||
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French (fr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. L’utilisation par Cortázar du monologue intérieur et du courant de conscience doit beaucoup à James Joyce et à d’autres modernistes. Cependant, ses principales influences étaient le surréalisme et l’esthétique improvisée du jazz. You have to log in to edit this translation.
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| fr-be | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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French (Belgium) (fr-be)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fr-ca | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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French (Canada) (fr-ca)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| fr-ch | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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French (Switzerland) (fr-ch)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ga | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Irish (ga)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| gd | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Scottish Gaelic (gd)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| gl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Galician (gl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| gu | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Gujarati (gu)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| he | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | השימוש של קורטאסר במונולוג הפנימי ובזרם התודעה התאפשר במידה רבה בזכות ג'יימס ג'ויס וסופרים אחרים בזרם המודרני. אך את ההשראה העיקרית הוא קיבל מהזרם הסוריאליסטי ומהאסתטיקה המאולתרת של מוזיקת הג'אז. | Details | ||
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Hebrew (he)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. השימוש של קורטאסר במונולוג הפנימי ובזרם התודעה התאפשר במידה רבה בזכות ג'יימס ג'ויס וסופרים אחרים בזרם המודרני. אך את ההשראה העיקרית הוא קיבל מהזרם הסוריאליסטי ומהאסתטיקה המאולתרת של מוזיקת הג'אז. You have to log in to edit this translation.
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| hi | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Hindi (hi)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| hr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Croatian (hr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| hu | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Hungarian (hu)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| hy | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Armenian (hy)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| id | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Penggunaan monolog interior dan alur kesadaran Cortázar sangat dipengaruhi oleh James Joyce dan para pemikir modernisme lainnya, tetapi pengaruh utamanya adalah Surealisme, serta estetika improvisasi jazz. | Details | ||
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Indonesian (id)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Penggunaan monolog interior dan alur kesadaran Cortázar sangat dipengaruhi oleh James Joyce dan para pemikir modernisme lainnya, tetapi pengaruh utamanya adalah Surealisme, serta estetika improvisasi jazz. You have to log in to edit this translation.
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| is | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Icelandic (is)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| it | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | L'uso che fa Cortázar del monologo interiore e del flusso di coscienza si ispira molto a James Joyce e ad altri modernisti, ma le sue principali influenze furono il surrealismo e l'estetica improvvisativa del jazz. | Details | ||
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Italian (it)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. L'uso che fa Cortázar del monologo interiore e del flusso di coscienza si ispira molto a James Joyce e ad altri modernisti, ma le sue principali influenze furono il surrealismo e l'estetica improvvisativa del jazz. You have to log in to edit this translation.
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| ja | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortáza の内的独白の使用と意識の流れは、James Joyce や他のモダニストに多くを負っていますが、彼が主に影響を受けたのはシュルレアリスムとジャズの即興的美学でした。 | Details | ||
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Japanese (ja)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortáza の内的独白の使用と意識の流れは、James Joyce や他のモダニストに多くを負っていますが、彼が主に影響を受けたのはシュルレアリスムとジャズの即興的美学でした。 You have to log in to edit this translation.
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| jv | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Javanese (jv)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ka | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Georgian (ka)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| kab | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kabyle (kab)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| kir | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kirghiz (kir)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| kk | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kazakh (kk)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| km | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Khmer (km)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| kmr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kurdish (Kurmanji) (kmr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| kn | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Kannada (kn)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ko | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázar의 내부 독백과 의식의 흐름 사용은 James Joyce와 다른 모더니스트들의 영향을 많이 받았지만, 그의 기본 영향은 초현실주의와 재즈의 즉흥적 미학이었습니다. | Details | ||
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Korean (ko)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar의 내부 독백과 의식의 흐름 사용은 James Joyce와 다른 모더니스트들의 영향을 많이 받았지만, 그의 기본 영향은 초현실주의와 재즈의 즉흥적 미학이었습니다. You have to log in to edit this translation.
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| lo | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Lao (lo)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| lt | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Lithuanian (lt)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| lv | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Latvian (lv)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| me | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Montenegrin (me)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mhr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Mari (Meadow) (mhr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mk | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Macedonian (mk)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ml | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Malayalam (ml)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mn | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Mongolian (mn)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Marathi (mr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mrj | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Mari (Hill) (mrj)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ms | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Malay (ms)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mwl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Mirandese (mwl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| mya | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Burmese (mya)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| nb | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Norwegian (Bokmål) (nb)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ne | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Nepali (ne)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| nl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázar's gebruik van de innerlijke monoloog en stroom van bewustzijn heeft veel te danken aan James Joyce en andere modernisten, maar zijn belangrijkste invloeden waren het surrealisme en de improvisatorische esthetiek van de jazz. | Details | ||
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Dutch (nl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar's gebruik van de innerlijke monoloog en stroom van bewustzijn heeft veel te danken aan James Joyce en andere modernisten, maar zijn belangrijkste invloeden waren het surrealisme en de improvisatorische esthetiek van de jazz. You have to log in to edit this translation.
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| nn | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Norwegian Nynorsk (nn)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| oci | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Occitan (oci)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| orm | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Oromo (orm)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| pa | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Punjabi (pa)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| pl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Polish (pl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ps | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Pashto (ps)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| pt | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Portuguese (pt)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| pt-br | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | O uso que Cortázar faz de monólogo interior e fluxo de consciência deve muito a James Joyce e outros modernistas, mas suas principais influências foram o surrealismo e a estética improvisada do jazz. | Details | ||
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Brazilian Portuguese (pt-br)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. O uso que Cortázar faz de monólogo interior e fluxo de consciência deve muito a James Joyce e outros modernistas, mas suas principais influências foram o surrealismo e a estética improvisada do jazz. You have to log in to edit this translation.
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| ro | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Romanian (ro)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ru | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Внутренний монолог и поток сознания, которыми пользуется Кортасар, в значительной степени восходят к Джеймсу Джойсу и другим модернистам, но основное влияние на него оказали сюрреализм и импровизационная эстетика джаза. | Details | ||
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Russian (ru)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Внутренний монолог и поток сознания, которыми пользуется Кортасар, в значительной степени восходят к Джеймсу Джойсу и другим модернистам, но основное влияние на него оказали сюрреализм и импровизационная эстетика джаза. You have to log in to edit this translation.
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| rue | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Rusyn (rue)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| rup | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Aromanian (rup)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sah | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Sakha (sah)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| si | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Sinhala (si)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sk | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Slovak (sk)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| skr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Saraiki (skr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Slovenian (sl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| snd | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Sindhi (snd)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| so | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Somali (so)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sq | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Albanian (sq)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Serbian (sr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| su | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Sundanese (su)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| sv | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázars användning av inre monolog och "stream of consciousness"-skrivande har James Joyce och andra modernister att tacka för mycket, men hans främsta influenser var surrealismen och jazzens improvisatoriska estetik. | Details | ||
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Swedish (sv)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázars användning av inre monolog och "stream of consciousness"-skrivande har James Joyce och andra modernister att tacka för mycket, men hans främsta influenser var surrealismen och jazzens improvisatoriska estetik. You have to log in to edit this translation.
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| sw | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Swahili (sw)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ta | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Tamil (ta)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| te | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Telugu (te)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| th | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Thai (th)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| tir | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Tigrinya (tir)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| tl | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Tagalog (tl)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| tlh | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Klingon (tlh)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| tr | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázar'ın iç monolog ve bilinç akışı kullanımı James Joyce ve diğer modernistlere çok şey borçludur, ancak asıl etkilendiği alanlar Sürrealizm ve cazın doğaçlama estetiğidir. | Details | ||
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Turkish (tr)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar'ın iç monolog ve bilinç akışı kullanımı James Joyce ve diğer modernistlere çok şey borçludur, ancak asıl etkilendiği alanlar Sürrealizm ve cazın doğaçlama estetiğidir. You have to log in to edit this translation.
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| ug | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Uighur (ug)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| uk | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Ukrainian (uk)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| ur | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Urdu (ur)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| uz | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Uzbek (uz)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| vi | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Vietnamese (vi)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| yi | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Yiddish (yi)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| yor | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Yorùbá (yor)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| zh | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Chinese (zh)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| zh-cn | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | Cortázar 对内心独白和意识流的使用在很大程度上得益于 James Joyce 等现代主义作家，但他的主要影响是超现实主义和爵士乐的即兴美学。 | Details | ||
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Chinese (China) (zh-cn)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar 对内心独白和意识流的使用在很大程度上得益于 James Joyce 等现代主义作家，但他的主要影响是超现实主义和爵士乐的即兴美学。 You have to log in to edit this translation.
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| zh-hk | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Chinese (Hong Kong) (zh-hk)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| zh-sg | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | You have to log in to add a translation. | Details | ||
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Chinese (Singapore) (zh-sg)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to edit this translation.
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| zh-tw | Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. | 科塔薩爾使用內心獨白和意識流的方式，源於詹姆士·喬伊斯和其他現代主義作家，但對他造成深遠影響的是超現實主義，以及爵士樂的即興美學。 | Details | ||
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Chinese (Taiwan) (zh-tw)
Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. 科塔薩爾使用內心獨白和意識流的方式，源於詹姆士·喬伊斯和其他現代主義作家，但對他造成深遠影響的是超現實主義，以及爵士樂的即興美學。 You have to log in to edit this translation.
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