Translations of Original 862771 in Block Patterns

Prio Locale Original string Translation
af Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Afrikaans (af)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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am Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Amharic (am)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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an Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Aragonese (an)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ar Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. إن استخدام كورتاثر المونولوج الداخلي والأفكار المختلطة يعود بدرجة كبيرة إلى جيمس جويس وغيره من المتحررين، لكن تمثلت تأثيراته الرئيسية في الأسلوب السريالي والجمالية الارتجالية لموسيقى الجاز. Details
Arabic (ar)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

إن استخدام كورتاثر المونولوج الداخلي والأفكار المختلطة يعود بدرجة كبيرة إلى جيمس جويس وغيره من المتحررين، لكن تمثلت تأثيراته الرئيسية في الأسلوب السريالي والجمالية الارتجالية لموسيقى الجاز.

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Date added:
2023-02-02 15:55:30 GMT
Translated by:
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as Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Assamese (as)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ast Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Asturian (ast)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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az Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Azerbaijani (az)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bal Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Catalan (Balear) (bal)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bel Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Belarusian (bel)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bg Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Bulgarian (bg)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bn Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Bengali (bn)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bo Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Tibetan (bo)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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br Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Breton (br)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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bs Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Bosnian (bs)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ca Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Catalan (ca)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ckb Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kurdish (Sorani) (ckb)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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cs Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Czech (cs)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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cv Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Chuvash (cv)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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cy Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Welsh (cy)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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da Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Danish (da)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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de Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázars Gebrauch des inneren Monologs und des „Stream of consciousness“ lehnt sich stark an James Joyce und andere Modernisten an, aber seine stärksten Einflüsse waren der Surrealismus und die improvisatorische Ästhetik des Jazz. Details
German (de)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázars Gebrauch des inneren Monologs und des „Stream of consciousness“ lehnt sich stark an James Joyce und andere Modernisten an, aber seine stärksten Einflüsse waren der Surrealismus und die improvisatorische Ästhetik des Jazz.

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Date added:
2023-02-02 15:57:43 GMT
Translated by:
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de (formal) Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
German (Formal) (de)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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de-ch Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
German (Switzerland) (de-ch)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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dv Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Dhivehi (dv)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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el Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Greek (el)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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el-po Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Polytonic Greek (el-po)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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en-gb Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
English (UK) (en-gb)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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eo Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Esperanto (eo)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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es Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar utilizó el monólogo interior y el flujo de conciencia, como también habían trabajado James Joyce y otros escritores modernistas, pero sus principales influencias fueron el surrealismo y la estética de la improvisación del jazz. Details
Spanish (es)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar utilizó el monólogo interior y el flujo de conciencia, como también habían trabajado James Joyce y otros escritores modernistas, pero sus principales influencias fueron el surrealismo y la estética de la improvisación del jazz.

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Date added:
2023-02-02 15:57:27 GMT
Translated by:
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es-cl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Spanish (Chile) (es-cl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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es-mx Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Spanish (Mexico) (es-mx)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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es-pr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Spanish (Puerto Rico) (es-pr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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et Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Estonian (et)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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eu Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Basque (eu)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fa Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Persian (fa)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fi Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Finnish (fi)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fo Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Faroese (fo)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. L’utilisation par Cortázar du monologue intérieur et du courant de conscience doit beaucoup à James Joyce et à d’autres modernistes. Cependant, ses principales influences étaient le surréalisme et l’esthétique improvisée du jazz. Details
French (fr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

L’utilisation par Cortázar du monologue intérieur et du courant de conscience doit beaucoup à James Joyce et à d’autres modernistes. Cependant, ses principales influences étaient le surréalisme et l’esthétique improvisée du jazz.

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fr-be Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
French (Belgium) (fr-be)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fr-ca Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
French (Canada) (fr-ca)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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fr-ch Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
French (Switzerland) (fr-ch)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ga Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Irish (ga)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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gd Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Scottish Gaelic (gd)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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gl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Galician (gl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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gu Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Gujarati (gu)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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he Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. השימוש של קורטאסר במונולוג הפנימי ובזרם התודעה התאפשר במידה רבה בזכות ג'יימס ג'ויס וסופרים אחרים בזרם המודרני. אך את ההשראה העיקרית הוא קיבל מהזרם הסוריאליסטי ומהאסתטיקה המאולתרת של מוזיקת הג'אז. Details
Hebrew (he)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

השימוש של קורטאסר במונולוג הפנימי ובזרם התודעה התאפשר במידה רבה בזכות ג'יימס ג'ויס וסופרים אחרים בזרם המודרני. אך את ההשראה העיקרית הוא קיבל מהזרם הסוריאליסטי ומהאסתטיקה המאולתרת של מוזיקת הג'אז.

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hi Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Hindi (hi)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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hr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Croatian (hr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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hu Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Hungarian (hu)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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hy Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Armenian (hy)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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id Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Penggunaan monolog interior dan alur kesadaran Cortázar sangat dipengaruhi oleh James Joyce dan para pemikir modernisme lainnya, tetapi pengaruh utamanya adalah Surealisme, serta estetika improvisasi jazz. Details
Indonesian (id)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Penggunaan monolog interior dan alur kesadaran Cortázar sangat dipengaruhi oleh James Joyce dan para pemikir modernisme lainnya, tetapi pengaruh utamanya adalah Surealisme, serta estetika improvisasi jazz.

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Date added:
2023-02-02 16:05:31 GMT
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is Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Icelandic (is)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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it Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. L'uso che fa Cortázar del monologo interiore e del flusso di coscienza si ispira molto a James Joyce e ad altri modernisti, ma le sue principali influenze furono il surrealismo e l'estetica improvvisativa del jazz. Details
Italian (it)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

L'uso che fa Cortázar del monologo interiore e del flusso di coscienza si ispira molto a James Joyce e ad altri modernisti, ma le sue principali influenze furono il surrealismo e l'estetica improvvisativa del jazz.

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ja Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortáza の内的独白の使用と意識の流れは、James Joyce や他のモダニストに多くを負っていますが、彼が主に影響を受けたのはシュルレアリスムとジャズの即興的美学でした。 Details
Japanese (ja)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortáza の内的独白の使用と意識の流れは、James Joyce や他のモダニストに多くを負っていますが、彼が主に影響を受けたのはシュルレアリスムとジャズの即興的美学でした。

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jv Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Javanese (jv)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ka Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Georgian (ka)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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kab Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kabyle (kab)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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kir Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kirghiz (kir)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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kk Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kazakh (kk)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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km Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Khmer (km)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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kmr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kurdish (Kurmanji) (kmr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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kn Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Kannada (kn)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ko Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar의 내부 독백과 의식의 흐름 사용은 James Joyce와 다른 모더니스트들의 영향을 많이 받았지만, 그의 기본 영향은 초현실주의와 재즈의 즉흥적 미학이었습니다. Details
Korean (ko)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar의 내부 독백과 의식의 흐름 사용은 James Joyce와 다른 모더니스트들의 영향을 많이 받았지만, 그의 기본 영향은 초현실주의와 재즈의 즉흥적 미학이었습니다.

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lo Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Lao (lo)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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lt Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Lithuanian (lt)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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lv Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Latvian (lv)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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me Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Montenegrin (me)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mhr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Mari (Meadow) (mhr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mk Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Macedonian (mk)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ml Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Malayalam (ml)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mn Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Mongolian (mn)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Marathi (mr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mrj Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Mari (Hill) (mrj)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ms Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Malay (ms)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mwl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Mirandese (mwl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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mya Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Burmese (mya)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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nb Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Norwegian (Bokmål) (nb)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ne Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Nepali (ne)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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nl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar's gebruik van de innerlijke monoloog en stroom van bewustzijn heeft veel te danken aan James Joyce en andere modernisten, maar zijn belangrijkste invloeden waren het surrealisme en de improvisatorische esthetiek van de jazz. Details
Dutch (nl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar's gebruik van de innerlijke monoloog en stroom van bewustzijn heeft veel te danken aan James Joyce en andere modernisten, maar zijn belangrijkste invloeden waren het surrealisme en de improvisatorische esthetiek van de jazz.

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nn Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Norwegian Nynorsk (nn)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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oci Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Occitan (oci)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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orm Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Oromo (orm)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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pa Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Punjabi (pa)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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pl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Polish (pl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ps Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Pashto (ps)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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pt Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Portuguese (pt)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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pt-br Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. O uso que Cortázar faz de monólogo interior e fluxo de consciência deve muito a James Joyce e outros modernistas, mas suas principais influências foram o surrealismo e a estética improvisada do jazz. Details
Brazilian Portuguese (pt-br)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

O uso que Cortázar faz de monólogo interior e fluxo de consciência deve muito a James Joyce e outros modernistas, mas suas principais influências foram o surrealismo e a estética improvisada do jazz.

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Date added:
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ro Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Romanian (ro)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ru Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Внутренний монолог и поток сознания, которыми пользуется Кортасар, в значительной степени восходят к Джеймсу Джойсу и другим модернистам, но основное влияние на него оказали сюрреализм и импровизационная эстетика джаза. Details
Russian (ru)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Внутренний монолог и поток сознания, которыми пользуется Кортасар, в значительной степени восходят к Джеймсу Джойсу и другим модернистам, но основное влияние на него оказали сюрреализм и импровизационная эстетика джаза.

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rue Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Rusyn (rue)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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rup Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Aromanian (rup)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sah Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Sakha (sah)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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si Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Sinhala (si)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sk Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Slovak (sk)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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skr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Saraiki (skr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Slovenian (sl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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snd Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Sindhi (snd)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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so Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Somali (so)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sq Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Albanian (sq)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Serbian (sr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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su Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Sundanese (su)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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sv Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázars användning av inre monolog och "stream of consciousness"-skrivande har James Joyce och andra modernister att tacka för mycket, men hans främsta influenser var surrealismen och jazzens improvisatoriska estetik. Details
Swedish (sv)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázars användning av inre monolog och "stream of consciousness"-skrivande har James Joyce och andra modernister att tacka för mycket, men hans främsta influenser var surrealismen och jazzens improvisatoriska estetik.

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sw Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Swahili (sw)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ta Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Tamil (ta)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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te Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Telugu (te)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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th Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Thai (th)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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tir Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Tigrinya (tir)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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tl Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Tagalog (tl)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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tlh Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Klingon (tlh)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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tr Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar'ın iç monolog ve bilinç akışı kullanımı James Joyce ve diğer modernistlere çok şey borçludur, ancak asıl etkilendiği alanlar Sürrealizm ve cazın doğaçlama estetiğidir. Details
Turkish (tr)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar'ın iç monolog ve bilinç akışı kullanımı James Joyce ve diğer modernistlere çok şey borçludur, ancak asıl etkilendiği alanlar Sürrealizm ve cazın doğaçlama estetiğidir.

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Date added:
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ug Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Uighur (ug)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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uk Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Ukrainian (uk)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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ur Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Urdu (ur)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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uz Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Uzbek (uz)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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vi Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Vietnamese (vi)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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yi Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Yiddish (yi)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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yor Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Yorùbá (yor)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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zh Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Chinese (zh)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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zh-cn Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. Cortázar 对内心独白和意识流的使用在很大程度上得益于 James Joyce 等现代主义作家,但他的主要影响是超现实主义和爵士乐的即兴美学。 Details
Chinese (China) (zh-cn)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar 对内心独白和意识流的使用在很大程度上得益于 James Joyce 等现代主义作家,但他的主要影响是超现实主义和爵士乐的即兴美学。

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zh-hk Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Chinese (Hong Kong) (zh-hk)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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zh-sg Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. You have to log in to add a translation. Details
Chinese (Singapore) (zh-sg)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

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zh-tw Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz. 科塔薩爾使用內心獨白和意識流的方式,源於詹姆士·喬伊斯和其他現代主義作家,但對他造成深遠影響的是超現實主義,以及爵士樂的即興美學。 Details
Chinese (Taiwan) (zh-tw)

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

Cortázar’s use of interior monologue and stream of consciousness owes much to James Joyce and other modernists, but his main influences were Surrealism, and the improvisatory aesthetic of jazz.

科塔薩爾使用內心獨白和意識流的方式,源於詹姆士·喬伊斯和其他現代主義作家,但對他造成深遠影響的是超現實主義,以及爵士樂的即興美學。

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